Fluoro Dawn
Fluorescent pink hills under an aqua sky. The sun climbs early and the window lights late. Score mix: full ensemble.
- ink
- pink / aqua / yellow
- runtime
- 1:10
- score
- dawn mix
a risograph film in three passes · 70 seconds
One hour of light on a small hill — a radio mast, a house, a sun that refuses to stay put. Printed in three ink pairs, each with its own registration drift.
view the editions ↓Same cut, three inks, three mixes of the score.
Fluorescent pink hills under an aqua sky. The sun climbs early and the window lights late. Score mix: full ensemble.
Hard noon light. Yellow ground, blue sky, a red sun core that slips off register. Score mix: dry and bright.
The sun sets early and stays gone. Indigo night, pink land, one orange window. Score mix: long tails and crotales.
Every note is a free instrument sample from the University of Iowa Musical Instrument Samples — free to use in any project, without restriction. Sliced from chromatic scale files, then arranged at 66 BPM.
Yarn mallets, mid register. The motif — A C E G, wandering.
Sustain and bow. The bed the hour floats on.
One hit at every turn of the light. C6 at the title, C7 at night.
Pizzicato pulse on the hill. C2 when the day is heavy.
A single non-vibrato line through the weather front.
dawn mix — the others ride with their editions above
Riso logic. Three spot inks, printed one plate at a time. Each plate is a coverage field that becomes a halftone dot screen — line art (the mast, the pulses, the stars) skips the screen so hairlines survive. Registration drifts a couple of pixels per plate per frame, because a press never sits perfectly still.
One cut, three hours. The sun path, the night and the grain seed change per edition. Dawn gets a long day; gloaming loses the sun halfway through. Same house, same mast, same hills.
Film grain. Paper fibre, ink mottle, and a 1.2% gate flicker at 31 Hz. 24 fps, 960×540, 1,680 frames a pass.